Mathematics of the Maya Calendar
Dan Munton
Monday, September 23, 2019 12 noon – 1 pm
To watch the Zoom Cloud recording click the YouTube icon for the link.
Images of Work: Domestic Helpers in A Simple Life and The Second Mother
Linda Lau
Monday, September 30, 2019 12 noon – 1 pm
To watch the Zoom Cloud recording click the YouTube icon for the link.
Domestic workers have played an important part in many cultures throughout history, yet their stories are not often told. Female film directors Anna Muylaert and Ann Hui break this tradition by bringing domestic helpers to the center of their films, The Second Mother and A Simple Life. Set in São Paulo and Hong Kong, the films portray the everyday life of live-in maids, who spend their days cooking, cleaning, and rearing children for their employers. Join us as we explore the significance of housework, race, and women in society today.
The Art of Slow Visual Comprehension
Golbanou Moghaddas
Monday, November 4, 2019 12 noon – 1 pm
To watch the Zoom Cloud recording click the YouTube icon for the link.
This lecture will cover her recent etching series that explores her research into Persian Miniatures and the symbolic language of images.
Her work is meticulous and filled with hidden images that invite the viewer to look closer. "I find it relevant to the slow process of etching and the significance of Persian Miniatures as my inspiration which are also created in slowness and require a keen eye for details in order to discover the hidden stories in each image."
Making Walden: How Thoreau Went About It
Mitchell Breitwieser
Monday, November 18, 2019 12 noon – 1 pm
To watch the Zoom Cloud recording click the YouTube icon for the link.
Walden is the well-known and much-loved story of Henry David Thoreau’s “life in the woods,” as he put it in the subtitle. The story of Walden itself, the book, is much less familiar, but equally intriguing, at least for me, because it shows the growth in Thoreau’s understanding of what had happened to him while he lived alone by the side of the pond during the years after he had returned to town. He knew from the first that what he considered to have been a great experiment had changed him for the better, reconciling him with his own life by providing a sense of direction, and he set pen to paper to encourage others to attempt to do something similar. But writing the book ended up taking eight years, running through seven drafts, as he attempted to keep pace with his deepening comprehension of what had happened within him during those two years of solitary self-exploration. I will try to tell the story of the book, and to persuade you that knowing that story will enhance your appreciation of the story that is told in the book.